CONTACT

CONTACT

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Contact is a 1997 American science fiction drama film directed by Robert Zemeckis, based on the 1985 novel by Carl Sagan. Sagan and his wife Ann Druyan wrote the story outline for the film. It stars Jodie Foster as Dr. Eleanor \"Ellie\" Arroway, a SETI scientist who finds evidence of extraterrestrial life and is chosen to make first contact. It also stars Matthew McConaughey, James Woods, Tom Skerritt, William Fichtner, John Hurt, Angela Bassett, Rob Lowe, Jake Busey, and David Morse. It features the Very Large Array in New Mexico, the Arecibo Observatory in Puerto Rico, the Mir space station, and the Space Coast surrounding Cape Canaveral.

Hadden, now residing on the Mir space station and dying of cancer, reveals to Arroway that the U.S. government had secretly contracted his company to build a second machine in Japan. As the only American remaining among the candidate pool, Arroway will be the one to go. Equipped with multiple recording devices, Arroway enters the machine's pod, which is then dropped into three rapidly spinning gimbaled rings, causing the pod to seemingly travel through a series of wormholes. Arroway observes a radio array-like structure at Vega and signs of an advanced civilization on another planet. She then finds herself on a beach, similar to a childhood drawing she made of Pensacola, Florida. A figure approaches, taking on the appearance of her deceased father. Arroway recognizes him as an alien assuming her father's form and tries to ask questions. The alien explains that the familiar form and landscape were chosen to make the first contact easier for her and that this journey was just humanity's first step towards joining other spacefaring species.

Arroway loses consciousness as she begins to travel back through a wormhole. When she wakes up, she finds herself lying on the floor of the pod while the mission control team repeatedly tries to contact her. She learns that from the outside, the machine appears to have dropped the pod through its rings and into a safety net. Arroway insists that she was gone for about 18 hours, but her recording devices show only static noise. A Congressional Committee is formed, and they speculate that the signal and machine were a hoax designed by Hadden, who has since passed away. Arroway requests that the committee accept the truth of her testimony on faith. In a private online conversation, Kitz and White House official Rachel Constantine discuss confidential information that although Arroway's recording device only recorded static, it recorded 18 hours of it. Arroway reunites with Joss, and she receives ongoing financial support for the SETI program at the VLA.

Here was a woman consumed with the idea that there was something out there worth listening to, but the one thing she could never make contact with was her own child. To me, that's what the film had to be about.

News footage of then-President Bill Clinton was digitally altered to make it appear as if he is speaking about alien contact. This was not the original plan for the film;[2] Zemeckis had initially approached Sidney Poitier to play the president, but the actor turned the role down in favor of The Jackal.[19] Shortly after Poitier's refusal, Zemeckis saw a NASA announcement in August 1996. \"Clinton gave his Mars rock speech\", the director explained, \"and I swear to God it was like it was scripted for this movie. When he said the line 'We will continue to listen closely to what it has to say', I almost died. I stood there with my mouth hanging open.\"[2]

The climactic scene depicting the mysterious beach near the galactic core where Arroway makes contact, in particular, called for major visual innovations. The goal was an idyllic seashore with a sky blazing with stars that might exist near the core of the galaxy. Ralston said that \"the thought was that this beach would have a heightened reality. One that might make the everyday world seem like a vague daydream.\"[11] To keep the question alive whether any of it was real in Arroway's mind, elements such as ocean waves running in reverse and palm tree shadows swaying with sped-up motion were applied.[11]

Contact depicts intense debate occurring as a result of the apparent contact with aliens. Many clips of well-known debate shows such as Crossfire and Larry King Live are shown, with participants discussing the implications of the message, asking whether it is proof of the existence of alien life or of God, and whether science is encroaching upon religious ground by, as one believer puts it, \"talking to your god for you\".[29] The head of a religious organization casts doubt on the morality of building the machine, noting: \"We don't even know whether [the aliens] believe in God.\" The first machine is ultimately destroyed by a religious extremist, in the belief that building it was detrimental to humankind.[11]

In 1984, a meteorite, thought to be from Mars, was found in Antarctica. Twelve years later, an article by NASA scientist David S. McKay was published in the journal Science, proposing that the meteorite might contain evidence for microscopic fossils of Martian bacteria (later, a disputed interpretation).[43][44] The announcement made headlines around the world, and the following day, on August 7, 1996, during a press conference about the news, the President of the United States, Bill Clinton, made remarks that were in places sufficiently generic in nature to allow fragments of his videotaped statement to be included in Contact, implying that Clinton was ostensibly speaking about contact with extraterrestrial life, congruent with the film's story:[45]

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Universal case investigation and contact tracing are not recommended. This guidance can be used for investigation of priority cases and notification of priority close contacts outlined in the Prioritizing Case Investigation and Contact Tracing for COVID-19 guidance.

Case investigation and contact tracing, a core disease control measure employed by local and state health department personnel for decades, is a key strategy for preventing further spread of COVID-19. Immediate action is needed. Communities must scale up and train a large workforce and work collaboratively across public and private agencies to stop the transmission of COVID-19.

Case investigation and contact tracing is a specialized skill. To be done effectively, it requires people with the training, supervision, and access to social and medical support for patients and contacts. Requisite knowledge and skills for case investigators and contact tracers include, but are not limited to:

Given the magnitude of COVID-19 cases and plans to eventually relax mitigation efforts such as stay at home orders and social distancing, communities need a large number of trained case investigators and contact tracers. Case investigators need to quickly locate and talk with the patients, assist in arranging for patients to isolate themselves, and work with patients to identify people with whom the patients have been in close contact so the contact tracer can locate them. The actual number of staff needed is large and varies depending on a number of factors including but not limited to:

Identifying contacts and ensuring they do not interact with others is critical to protect communities from further spread. If communities are unable to effectively isolate patients and ensure contacts can separate themselves from others, rapid community spread of COVID-19 is likely to increase to the point that strict mitigation strategies will again be needed to contain the virus.

Case investigation and contact tracing with COVID-19 potentially exposed at work and patients in health care facilities, congregate living settings or housing with many people is complex. Appropriate engagement with infection control and occupational health programs is recommended. Priority settings include: 781b155f